Executive Leadership
Matt August is ATC’s Kasser Family Artistic Director. He is a theatre, opera, and film director and educator whose productions have broken box-office records on Broadway (Grinch) and played in London, across the UK, Off-Broadway, in major Regional theatres, at festivals, on National Tours, at the Grand Ole Opry, and for three holiday seasons at Madison Square Garden. His work has been featured on television talk shows and NPR and performed at the White House for President Bush, Cabinet Members, and military children.
He was the Associate Director to multi-Tony-winning director Jack O’Brien on the Broadway productions of Henry IV, The Full Monty, The Invention of Love, and Imaginary Friends. He was promoted to Resident Director on Tom Stoppard’s The Invention of Love, for which both lead actors received Tony Awards, and on the Tony-winning Henry IV (Best Director and Best Revival). He also directed the Australia production of The Full Monty, earning a Helpmann Award co-nomination for Best Direction. He has directed World, American, and Regional Premieres including the record-breaking productions of Sixteen Wounded at the Cherry Lane and Long Wharf Theatres (starring Martin Landau), In the Heights (starring Anthony Ramos in his AEA debut), and King Charles III and The Gospel According to Thomas Jefferson, Charles Dickens, and Count Leo Tolstoy: Discord for Arizona Theatre Company.
His productions have been recognized with nominations and awards from LA’s Ovation, Washington, D.C.’s Helen Hayes, Arizona’s Mac, San Francisco’s Bay Area Critics, Broadway World, Utah’s Audience Choice, and Australia’s Helpmann Awards. His work has appeared on Year End Top Ten lists for the LA Times, San Francisco Chronicle, Huffington Post, Arizona Republic, Oakland Tribune, Arizona Daily Star, San Jose Mercury News, and NPR/KQED. He has been awarded internships, fellowships, and residencies from the Old Globe Theatre, Drama League, Oregon Shakespeare Festival, The Acting Company, Robert Wilson’s Watermill Center, the Juilliard School, The Wrestling School, and San Francisco’s Zen Center. In addition to theatre, he was awarded the Panavision New Filmmakers Grant and directed the award-winning short family film How to Get to Candybar.
In 2006 and 2007, August directed the Broadway productions of Dr. Seuss’ How the Grinch Stole Christmas – The Musical, which broke box office records and has been touring every year since 2008, including a UK production in 2019. His production of A Christmas Carol ran for five years at Ford’s Theatre, and his Shakespeare productions include Much Ado About Nothing (Pioneer), Two Gentlemen of Verona (Old Globe and Acting Company), Tempest (Hanger), Romeo and Juliet (National Shakespeare Company), and Merry Wives of Windsor (Acting Company). He recently directed the opera La Boheme (starring Marina Costa Jackson) and Pirates of Penzance at Noorda Center.
He served on panels and committees for the Society of Directors and Choreographers on panels, and has mentored emerging directors through both the SDCF and Drama League as well having having taught directing as an Assistant Professor at Utah Valley University. MattAugust.com
Ana Rose O’Halloran is ATC’s Executive Director. She is a nonprofit arts executive with over 17 years of experience leading arts organizations in strategic planning, fundraising, and operations. Since 2015, she has served as Executive Director and now Producing Executive Director of Antaeus Theatre Company in Los Angeles where she has produced more than 25 acclaimed productions and guiding the organization through significant growth, including a $3 million capital campaign, record fundraising, expanded audiences, and innovative programming such as The Zip Code Plays: Los Angeles, which reached over 100,000 listeners worldwide.
Previously, O’Halloran held senior leadership roles at The Pablove Foundation, where she oversaw the expansion of national programs, and began her career at Center Theatre Group in development and communications.
O’Halloran holds an M.F.A. in Theatre Management from California State University, Long Beach, and dual B.F.A. degrees in Theatre Management and Performance from Ohio University. She is deeply committed to strengthening arts organizations and expanding access to live theater as a cornerstone of vibrant civic life.